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・ José Reyes Meza
・ José Reyes Rodríguez
・ José Reyes Vega
・ José Reynal-Restrepo
・ José Reynaldo Bencosme de Leon
・ José Rezende Filho
・ José Ribamar Celestino
・ José Ribamar de Oliveira
・ José Ribeiro
・ José Ribeiro da Fonseca
・ José Ribeiro da Silva
・ José Ribeiro e Castro
・ José Ricardo da Silva
・ José Ricardo dos Santos Oliveira
・ José Ricardo Díaz Pardeiro
José Ricardo Mazó
・ José Ricardo Pérez
・ José Ricardo Rambo
・ José Ricardo Salazar
・ José Richa Hydroelectric Plant
・ José Rico Pérez
・ José Riga
・ José Rijo
・ José Riquelme y López Bago
・ José Rita
・ José Rivas
・ José Rivera (playwright)
・ José Rivera (volleyball)
・ José Rivera Díaz
・ José Rivera Indarte


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José Ricardo Mazó : ウィキペディア英語版
José Ricardo Mazó

José Ricardo Mazó (Pilar, 1927- Asunción, 1987), the Paraguayan poet, was born in Pilar, in the department of Ñeembucú (). He was a member of the Literary Academy of the (College of San José ) and of the Paraguayan Academia Universitaria. After completing his studies in San José, he studied in the University of Texas at Austin and subsequently worked as an Engineer and Geologist.
He is regarded as one of the ''Promoción del 50'', a group of 1950's poets, mainly from the Academia Universitaria and the Faculty of Philosophy in Asunción who wrote socially engaged poetry during Alfredo Stroessner's dictatorship (1954–1989). His poem, (ERA EL MES DE NIZAM... ), should perhaps be read in that light.
He translated the lecture notes on Aesthetics that Hegel had distributed in the University of Berlin into Spanish as ''Introducción a la Estética de G.W:F. Hegel''.
== Poetic work ==
''Briznas: suerte de antología'' (Scraps: A kind of Anthology), 1982, gathers together 73 poems written between the years 1940 and 1980. The book is organised into five parts:
# First poems;
# Empty hours;
# Return;
# The second solitude;
# Open bastion.
Solitude, absence, nostalgia, distance, boredom ... as well as a constant search for the self, a recurrent encounter with time, and fixation on an unceasing memory, are the dominant motifs of his poetry. In several of his poems, the poetic voice alludes to a mysterious angel.

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